V Calendar 2025
- Regular price
- 440,00 NOK
- Regular price
-
- Sale price
- 440,00 NOK
- Unit price
- per
Created by Massimo Vignelli’s former associates Yoshiki Waterhouse and Beatriz Cifuentes, the V Calendar pays homage to the late maestro’s modernist aesthetic and design ethos. Deploying Vignelli’s signature tightly-kerned Helvetica, Cifuentes and Waterhouse lay out all 365 days on a single sheet, forming an undulating pattern across the year.
Its condensed, vertical format, running 41.3 x 87.6 cm, is designed to fit most spaces in the home from the fridge door to the office wall and beyond. The calendar is topped by a triple-folder header for extra structure, and supplied with 3M hanging strips for ease of hanging. Small marker stickers are included to mark the passing of each month.
Every year, the V Calendar is printed in a different set of colours, and for 2025 there are two to choose between. The first channels the monochrome pallette of the Stendig, with black and green numerals set against a clean plane of white. The second, a limited run, deploys Vignelli’s favourite colour as its base layer, with black and white numbers on top of a welcoming expanse of super-warm red.
V Calendar 2025
Created by Massimo Vignelli’s former associates Yoshiki Waterhouse and Beatriz Cifuentes, the V Calendar pays homage to the late maestro’s modernist aesthetic and design ethos. Deploying Vignelli’s signature tightly-kerned Helvetica, Cifuentes and Waterhouse lay out all 365 days on a single sheet, forming an undulating pattern across the year.
Its condensed, vertical format, running 41.3 x 87.6 cm, is designed to fit most spaces in the home from the fridge door to the office wall and beyond. The calendar is topped by a triple-folder header for extra structure, and supplied with 3M hanging strips for ease of hanging. Small marker stickers are included to mark the passing of each month.
Every year, the V Calendar is printed in a different set of colours, and for 2025 there are two to choose between. The first channels the monochrome pallette of the Stendig, with black and green numerals set against a clean plane of white. The second, a limited run, deploys Vignelli’s favourite colour as its base layer, with black and white numbers on top of a welcoming expanse of super-warm red.